Author Archives: Alison Bennett
scene photography
Melbourne queer scene, party & performance photography 2007-2013
antiTHESIS
Bennett, 2007, [Cover & internal images], antiTHESIS journal Vol.17 2007 antiTHESIS special issue on deja vu
antiTHESIS
Bennett, 2007, [Cover & internal images], antiTHESIS journal Vol.17 2007 antiTHESIS special issue on deja vu
Frames of Reference
Bennett, A 2005, Frames of Reference: photographing Hill End [catalogue essay & curator], Bathurst Regional Art Gallery 2005.
Frames of Reference
Bennett, A 2005, Frames of Reference: photographing Hill End [catalogue essay & curator], Bathurst Regional Art Gallery 2005.
Master of Fine Art
Masters of Fine Art by research 2005~2009 Monash University, Vic. exegesis online
Master of Fine Art
Masters of Fine Art by research 2005~2009 Monash University, Vic. exegesis online
Woolsheds & Shearers Quarters
Bennett, A 2005, Woolsheds & Shearers Quarters: photographs, Historic Houses Trust of NSW 2005, Shear Outback, Hay 2006; Peppin Heritage Centre, Deniliquin 2006; & National Wool Museum, Geelong 2007; a Shear Outback touring exhibition. Reviewed by Philip Drew, Indesign #24.
Woolsheds & Shearers Quarters
Bennett, A 2005, Woolsheds & Shearers Quarters: photographs, Historic Houses Trust of NSW 2005, Shear Outback, Hay 2006; Peppin Heritage Centre, Deniliquin 2006; & National Wool Museum, Geelong 2007; a Shear Outback touring exhibition. Reviewed by Philip Drew, Indesign #24.
Waterfront
Waterfront, FRONT Artspace Geelong Arts Alliance 2004. Acquired by City of Greater Geelong
Waterfront
Waterfront, FRONT Artspace Geelong Arts Alliance 2004. Acquired by City of Greater Geelong
Inside Hill End
Bennett, A 2004, Inside Hill End, The Mint, Historic Houses Trust of NSW, Sydney, curated by Sally Webster, 5 Mar – 28 May 2004.
Inside Hill End
Bennett, A 2004, Inside Hill End, The Mint, Historic Houses Trust of NSW, Sydney, curated by Sally Webster, 5 Mar – 28 May 2004.
‘Frames of Authenticity‘
‘Frames of Authenticity’ review of Hill End Artist Residency by Ruth Hingston & Tim Brook by Alison Bennett in ArtReach Dec 2003 PDF: hill_end_dec_03
‘Frames of Authenticity‘
‘Frames of Authenticity’ review of Hill End Artist Residency by Ruth Hingston & Tim Brook by Alison Bennett in ArtReach Dec 2003 PDF: hill_end_dec_03
Craigmoor House
Manager of NPWS volunteer guides, Craigmoor House, Hill End NSW 2003
‘Applique: embroidery by Jason Moss’
‘Applique: embroidery by Jason Moss’, gallery onefivesix (catalogue foreword by Alison Bennett) 2002
‘Applique: embroidery by Jason Moss’
‘Applique: embroidery by Jason Moss’, gallery onefivesix (catalogue foreword by Alison Bennett) 2002
Hong Kong Museum of Art
Asialink residency at Hong Kong Museum of Art 1997 ‘Hong Kong report’ by Alison Bennet Art Asia Pacific Issue 19, 1998. Pp.36-37 ‘One Country, Two Systems? A 1997 Asialink residency’, Alison Bennett Museum National Vol.6 No.4 May 1998. Pp.19-20
Hong Kong Museum of Art
Asialink residency at Hong Kong Museum of Art 1997 ‘Hong Kong report’ by Alison Bennet Art Asia Pacific Issue 19, 1998. Pp.36-37 ‘One Country, Two Systems? A 1997 Asialink residency’, Alison Bennett Museum National Vol.6 No.4 May 1998. Pp.19-20
Craft Victoria
Program Officer / Program Manager 1993-1998 http://www.craft.org.au/
Craft Victoria
Program Officer / Program Manager 1993-1998 http://www.craft.org.au/
Grad Dip (Information Management)
Graduate Diploma (Information Management) 1993 RMIT
Grad Dip (Information Management)
Graduate Diploma (Information Management) 1993 RMIT
Grad Dip (Cultural Heritage Management)
Graduate Diploma (Cultural Heritage Management) 1991 University of Canberra, ACT.
Grad Dip (Cultural Heritage Management)
Graduate Diploma (Cultural Heritage Management) 1991 University of Canberra, ACT.
Alison Bennett 